Fala e performance na poesia brasileira: o caso da palhaçada
Data
2022-12-12
Autores
Silva, Suelen Santana 
Orientadores
Marques Neto, Pedro
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
Título de Volume
Resumo
O presente estudo constrói uma narrativa acerca do percurso de Suelen Santana Silva, RE: 77594, aluna do Programa de Pós-Graduação em Letras da UNIFESP – Universidade Federal de São Paulo, dentro da Linha de Pesquisa: “Questões de Representação: Poéticas e suas Reapropriações”, sob orientação do Prof. Dr. Pedro Marques Neto, para a pesquisa intitulada: “Fala e Performance na Poesia Brasileira: O Caso da Palhaçada”. Esse espaço apresenta o cerne da pesquisa, o como e o quanto ela foi desenvolvida. Os pilares desse estudo estão na leitura performática, com base no experimento da máscara de palhaça, acerca dos textos de Manoel de Barros. Portanto, os estudos de leitura do texto, análise de poemas, a fortuna crítica de Manoel e sua produção literária, junto às possibilidades da máscara de palhaça, construirão essa tríade: poeta, palhaçada e vídeo-performance. A finalidade é entender, através da performance literária, como se dá essa configuração que consiste no arranjo entre poeta e palhaça, diante de fatores comuns entre as partes, constatando assim, suas semelhanças e aproximações. Para além de um registro, nessa pesquisa, a questão do vídeo aparecerá com propósito performático, apresentando uma outra proposta de leitura a poética de Manoel de Barros, de forma a expandir a pesquisa, de caráter artístico e experimental, a um número maior de pessoas, a fim de ampliar as discussões a respeito do deslocamento do texto para fora do papel e o emprego dele nas ruas da cidade e em relação as pessoas que lá estiverem, dentro de uma provocação que é máscara da palhaçaria, construindo assim, a tríade: poeta, palhaça e performance.
This study builds a narrative about the journey of Suelen Santana Silva, RE: 77594, Graduate student in the Program in Letters at UNIFESP – Federal University of São Paulo, within the Research theme: “Representation matters: Poetics and their Reappropriations”, guided by Prof. Doctor Pedro Marques Neto, for the research entitled: “Speech and Performance in Brazilian Poetry: The Clowning Case”. This work presents the research’s core, how and how much it was developed. This study pillars are founded on the performative reading, based on the clown mask experiment, using Manoel de Barros’ texts. Therefore, studies of text reading, poem analysis, Manoel's critical and his literary production, together with the possibilities of the clown mask, will build the triad: poet, clowning and video performance. The purpose is to understand, through literary performance, how this configuration, which consists of the arrangement between poet and clown, in the face of common factors between the parties, thus verifying their similarities and approximations. In this research, the video is not only a register, but it will appear with a performative purpose, presenting another proposal for reading the poetics of Manoel de Barros, expanding an artistic and experimental research to a larger number of people, in order to broaden the discussions about the displacement of the text out of paper and its use in the streets in relation to the people present there, within the provocation that is a mark of the clown mask, thus building a triad: poet, clowning and performance.
This study builds a narrative about the journey of Suelen Santana Silva, RE: 77594, Graduate student in the Program in Letters at UNIFESP – Federal University of São Paulo, within the Research theme: “Representation matters: Poetics and their Reappropriations”, guided by Prof. Doctor Pedro Marques Neto, for the research entitled: “Speech and Performance in Brazilian Poetry: The Clowning Case”. This work presents the research’s core, how and how much it was developed. This study pillars are founded on the performative reading, based on the clown mask experiment, using Manoel de Barros’ texts. Therefore, studies of text reading, poem analysis, Manoel's critical and his literary production, together with the possibilities of the clown mask, will build the triad: poet, clowning and video performance. The purpose is to understand, through literary performance, how this configuration, which consists of the arrangement between poet and clown, in the face of common factors between the parties, thus verifying their similarities and approximations. In this research, the video is not only a register, but it will appear with a performative purpose, presenting another proposal for reading the poetics of Manoel de Barros, expanding an artistic and experimental research to a larger number of people, in order to broaden the discussions about the displacement of the text out of paper and its use in the streets in relation to the people present there, within the provocation that is a mark of the clown mask, thus building a triad: poet, clowning and performance.