As viagens do bárbaro liberto: indagações na prosa de R. Roldan-Roldan
Data
2023-03-02
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
Título de Volume
Resumo
R. Roldan-Roldan é autor de uma obra literária que abrange contos, poesia, romances e dramaturgia. Uma de suas marcas é a recorrência dos temas ligados às viagens: identidade, estrangeiridade, alteridade, exclusão e exílio. Partindo do gênero narrativa de viagem, toma-se como objeto de estudo o romance O bárbaro liberto (Mnaloah), a fim de se investigar como aquelas recorrências atravessam esse texto especificamente. Dividida em dois capítulos, a presente dissertação fundamenta-se em obras teóricas como as de Jerry Harrell Bentley (2004), Mary Anne Junqueira (2011) e James Clifford (1999) para traçar um panorama da origem e da evolução histórica do gênero. Por outro lado, as discussões sobre as características e os limites do gênero têm como embasamento as abordagens de autores como Sofía M. Carrizo Rueda (2008), Luis Alburquerque-García (2011), Jonathan Culler (1999) e Sandra Nitrini (1998). Além de fugir de um padrão convencional de viagem, o eixo temático da escrita roldaniana insere-se em uma perspectiva metalinguística e intertextual. Desse modo, a metodologia emprega, comparativamente, as interações que a narrativa de R. Roldan-Roldan estabelece com outros autores, cinema, teatro e música como recurso de análise que evidencie as particularidades do enredo, narrador, espaço, tempo e personagens. A identificação, os encontros e diálogos entre o narrador-personagem e o Outro, enquanto sujeito social, cultural e político são considerados sob os pontos de vista de Edward Said (2013), Márcio Seligmann-Silva (2010) e Vilém Flusser (2011) e do paradigma proposto por Hal Foster (2014): o artista como etnógrafo. O objetivo central da dissertação, portanto, é descrever o modo de constituição da narrativa, analisar e interpretar quais seriam as motivações, as escolhas e os sentidos contidos nas viagens da prosa roldaniana, assim como discutir de que modo a literatura do autor debate as relações e o encontro com o Outro.
R. Roldan-Roldan is the author of a literary work that encompasses short stories, poetry, novels, and dramaturgy. One of his hallmarks is the recurrence of themes related to travel: identity, foreignness, alterity, exclusion, and exile. Starting from the travel narrative genre, the novel O bárbaro liberto (Mnaloah) is taken as an object of study, to investigate how those recurrences, cross this text specifically. Divided into two chapters, this dissertation is based on theoretical works such as Jerry Harrell Bentley (2004), Mary Anne Junqueira (2011) and James Clifford (1999) to outline an overview of the origin and historical evolution of the genre. On the other hand, discussions about the characteristics and limits of the genre are based on the approaches of authors such as Sofía M. Carrizo Rueda (2008), Luis Alburquerque-García (2011), Jonathan Culler (1999) and Sandra Nitrini (1998). In addition to escaping from a conventional travel pattern, the thematic axis of Roldan-Roldan's writing is inserted in a metalinguistic and intertextual perspective. Thus, the methodology uses, comparatively, the interactions that R. Roldan-Roldan's narrative establishes with other authors, cinema, theater and music as an analysis resource that highlights the particularities of the plot, narrator, space, time and characters. The identification, encounters, and dialogues between the narrator-character and the Other, as a social, cultural, and political subject are considered from the points of view of Edward Said (2013), Márcio Seligmann-Silva (2010) and Vilém Flusser (2011) and the paradigm proposed by Hal Foster (2014): the artist as ethnographer. The central objective of the dissertation, therefore, is to describe how the narrative is constituted, to analyze and interpret what the motivations, choices and meanings are contained in Roldan's prose journeys, as well as to discuss how the author's literature debates the relationships and the encounter with the Other.
R. Roldan-Roldan is the author of a literary work that encompasses short stories, poetry, novels, and dramaturgy. One of his hallmarks is the recurrence of themes related to travel: identity, foreignness, alterity, exclusion, and exile. Starting from the travel narrative genre, the novel O bárbaro liberto (Mnaloah) is taken as an object of study, to investigate how those recurrences, cross this text specifically. Divided into two chapters, this dissertation is based on theoretical works such as Jerry Harrell Bentley (2004), Mary Anne Junqueira (2011) and James Clifford (1999) to outline an overview of the origin and historical evolution of the genre. On the other hand, discussions about the characteristics and limits of the genre are based on the approaches of authors such as Sofía M. Carrizo Rueda (2008), Luis Alburquerque-García (2011), Jonathan Culler (1999) and Sandra Nitrini (1998). In addition to escaping from a conventional travel pattern, the thematic axis of Roldan-Roldan's writing is inserted in a metalinguistic and intertextual perspective. Thus, the methodology uses, comparatively, the interactions that R. Roldan-Roldan's narrative establishes with other authors, cinema, theater and music as an analysis resource that highlights the particularities of the plot, narrator, space, time and characters. The identification, encounters, and dialogues between the narrator-character and the Other, as a social, cultural, and political subject are considered from the points of view of Edward Said (2013), Márcio Seligmann-Silva (2010) and Vilém Flusser (2011) and the paradigm proposed by Hal Foster (2014): the artist as ethnographer. The central objective of the dissertation, therefore, is to describe how the narrative is constituted, to analyze and interpret what the motivations, choices and meanings are contained in Roldan's prose journeys, as well as to discuss how the author's literature debates the relationships and the encounter with the Other.
Descrição
Citação
Campos, Joscelito. As viagens do bárbaro liberto: indagações na prosa de R. Roldan-Roldan. 2023. 96 f. Dissertação (Mestrado em Estudos literários) – Universidade Federal de São Paulo, Guarulhos, 2023.