O comportamento teatral do herói, de Ésquilo a Brecht: Teatro trágico e teatro épico nos escritos de Walter Benjamin
Arquivos
Data
2022-10-21
Autores
Miranda, Daniel Alves Gilly de 
Orientadores
Gatti, Luciano Ferreira
Tipo
Tese de doutorado
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Resumo
A tese discute a afirmação benjaminiana segundo a qual Brecht teria tentado, em seu teatro, dar corpo a um herói não-trágico. Para isso, apresenta a leitura que Benjamin faz da tragédia antiga grega para a ela contrapor os procedimentos artísticos utilizados pelo teatro de vanguarda como tentativas de superação do modelo trágico de teatro. A tese central é a de que Benjamin vê esta superação se efetivando no teatro brechtiano a partir da entrada em cena de um herói cujo corpo não se apresenta como um outro da técnica, mas sim em harmonia conflituosa com ela.
The thesis discusses Benjamin's statement according to which Brecht would have tried, in his theater, to embody a non-tragic hero. For this, it presents Benjamin's reading of ancient Greek tragedy in order to counteract the artistic procedures used by avant-garde theater as attempts to overcome the tragic model of theater. The central thesis is that Benjamin sees this overcoming taking place in Brechtian theater from the entry into the scene of a hero whose body does not present itself as another of the technique, but in conflicting harmony with it.
The thesis discusses Benjamin's statement according to which Brecht would have tried, in his theater, to embody a non-tragic hero. For this, it presents Benjamin's reading of ancient Greek tragedy in order to counteract the artistic procedures used by avant-garde theater as attempts to overcome the tragic model of theater. The central thesis is that Benjamin sees this overcoming taking place in Brechtian theater from the entry into the scene of a hero whose body does not present itself as another of the technique, but in conflicting harmony with it.