Performances autorais nas crônicas de António Lobo Antunes
Data
2022-08-17
Autores
Oliveira, Thais Moreira de 
Orientadores
Telles, Luís Fernando Prado
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
Título de Volume
Resumo
A presente dissertação tem como objetivo central verificar de que modo a questão da autoria revela-se dentro da obra cronística de António Lobo Antunes. Por conseguinte, busca discorrer sobre os possíveis efeitos da incidência autoral na tessitura destas, bem como o modo como o escritor figurado reflete sobre a escrita literária e o fazer romanesco. Consideramos como hipótese que, no movimento de representar-se como escritor nas crônicas, algo do eu de António Lobo Antunes se escamoteie nestas personas e que tais performances componham não apenas o seu discurso, mas sugiram para seus leitores certa descrição de si próprio, ou seja, que em sua função cronista o autor atue na construção ideológica em torno de seu nome e de seu ofício demarcando o que ele gostaria de ter associado a este nome e o que este nome representado valoriza e concebe como arte literária. O corpus compreende as crônicas publicadas nos cinco livros do gênero do autor: Livro de crónicas (1998); Segundo livro de crónicas (2002); Terceiro livro de crónicas (2006), Quarto livro de crónicas (2011) e Quinto livro de crónicas (2013). Como percurso metodológico demarcamos as seguintes etapas: mapear a trajetória do autor e principais características de sua escritura, em especial, a cronística. Maria Alzira Seixo (2002; 2008; 2011), Ana Paula Arnaut (2008; 2009) e Carlos Reis (2004; 2011) auxiliam-nos nesta etapa; localizar o lugar e a pertinência dos estudos genéricos na abordagem e análise do corpus tendo em vista o fato de Antunes identificar suas produções literárias a gêneros distintos – romance e crônica. Para tal, sustentam-nos, principalmente, as reflexões de Rildo Cosson (2017) e Luís Costa Lima (1983) ; levantar as principais discussões concernentes à figura autoral e de como estas se encaminham na contemporaneidade ancorados, especialmente, nas proposições de Gagliardi (2010; 2019), Kingler (2006), José Luis Diaz (2007); por fim, verificar em quais das crônicas há um forte registro da subjetividade e inscrição pessoal separando aquelas em que é possível verificar alguma representatividade da figura autoral a fim de prosseguir a análise observando tanto a maneira pela qual a representação é realizada, quanto os seus possíveis efeitos e reverberações. As efabulações do escritor nas crônicas analisadas à luz das recentes perspectivas sobre a incidência autoral nos textos ficcionais nos permite afirmar que, conscientemente ou não, Antunes atua na construção de sua autoria, projetando para seus leitores diferentes performances e/ou imagens do escritor que narra e que se somam às constantes aparições do autor no âmbito da vida pública, podendo gerar com isto distintos efeitos.
The main objective of this dissertation is to verify how the question of authorship is revealed within the chronicle work of António Lobo Antunes. Therefore, it seeks to discuss the possible effects of authorial incidence on their texture, as well as the way the figurative writer reflects on literary writing and the making of novels. We consider as a hypothesis that, in the movement of representing himself as a writer in the chronicles, something of António Lobo Antunes' self is concealed in these personas and that such performances compose not only his speech, but suggest to his readers a certain description of himself, or that is, that in his role as a chronicler, the author acts in the ideological construction around his name and his office, demarcating what he would like to have associated with this name and what this represented name values and conceives as literary art. The corpus comprises the chronicles published in the author's five books of the genre: Livro de crónicas (1998); Segundo livro de crónicas (2002); Terceiro livro de crónicas (2006), Quarto livro de crónicas (2011) e Quinto livro de crónicas (2013). As a methodological course, we demarcated the following steps: mapping the author's trajectory and main characteristics of his writing, in particular, the chronicle. Maria Alzira Seixo (2002; 2008; 2011), Ana Paula Arnaut (2008; 2009) and Carlos Reis (2004; 2011) help us at this stage; to locate the place and pertinence of generic studies in the approach and analysis of the corpus considering the fact that Antunes identifies his literary productions to different genres – novel and chronicle. To this end, we are supported mainly by the reflections of Rildo Cosson (2017) and Luís Costa Lima (1983); raise the main discussions concerning the author's figure and how they are carried out in contemporary times, anchored, especially, in the propositions of Gagliardi (2010; 2019), Kingler (2006), José Luis Diaz (2007); finally, to verify in which of the chronicles there is a strong record of subjectivity and personal inscription, separating those in which it is possible to verify some representativeness of the author figure in order to continue the analysis observing both the way in which the representation is carried out, as well as its possible effects and reverberations. The writer's fables in the chronicles analyzed in the light of recent perspectives on the authorial incidence in fictional texts allow us to affirm that, consciously or not, Antunes acts in the construction of his authorship, projecting different performances and/or images of the writer who narrates to his readers. and that are added to the author's constant appearances in the scope of public life, which can generate different effects.
The main objective of this dissertation is to verify how the question of authorship is revealed within the chronicle work of António Lobo Antunes. Therefore, it seeks to discuss the possible effects of authorial incidence on their texture, as well as the way the figurative writer reflects on literary writing and the making of novels. We consider as a hypothesis that, in the movement of representing himself as a writer in the chronicles, something of António Lobo Antunes' self is concealed in these personas and that such performances compose not only his speech, but suggest to his readers a certain description of himself, or that is, that in his role as a chronicler, the author acts in the ideological construction around his name and his office, demarcating what he would like to have associated with this name and what this represented name values and conceives as literary art. The corpus comprises the chronicles published in the author's five books of the genre: Livro de crónicas (1998); Segundo livro de crónicas (2002); Terceiro livro de crónicas (2006), Quarto livro de crónicas (2011) e Quinto livro de crónicas (2013). As a methodological course, we demarcated the following steps: mapping the author's trajectory and main characteristics of his writing, in particular, the chronicle. Maria Alzira Seixo (2002; 2008; 2011), Ana Paula Arnaut (2008; 2009) and Carlos Reis (2004; 2011) help us at this stage; to locate the place and pertinence of generic studies in the approach and analysis of the corpus considering the fact that Antunes identifies his literary productions to different genres – novel and chronicle. To this end, we are supported mainly by the reflections of Rildo Cosson (2017) and Luís Costa Lima (1983); raise the main discussions concerning the author's figure and how they are carried out in contemporary times, anchored, especially, in the propositions of Gagliardi (2010; 2019), Kingler (2006), José Luis Diaz (2007); finally, to verify in which of the chronicles there is a strong record of subjectivity and personal inscription, separating those in which it is possible to verify some representativeness of the author figure in order to continue the analysis observing both the way in which the representation is carried out, as well as its possible effects and reverberations. The writer's fables in the chronicles analyzed in the light of recent perspectives on the authorial incidence in fictional texts allow us to affirm that, consciously or not, Antunes acts in the construction of his authorship, projecting different performances and/or images of the writer who narrates to his readers. and that are added to the author's constant appearances in the scope of public life, which can generate different effects.