Tensionamentos entre a prosa e a poesia em "Água Viva", de Clarice Lispector
Data
2019-11-29
Autores
Oliveira, André Matos de
Orientadores
Ricieri, Francine Fernandes Weiss
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
Título de Volume
Resumo
Em Água Viva, Clarice Lispector propõe uma ruptura com a forma clássica da narrativa. Nesse livro, através de uma personagem-narradora, a autora radicaliza seu estilo, apresentando características de dissolução do sujeito e, ao mesmo tempo, lança mão de técnicas da prosa e da poesia. Dessa forma, ao explorar recursos do texto poético, ainda que se trate de escritos em prosa, a autora produziu uma obra que talvez possamos entender como narrativa lírica. Paralelamente, existe uma tensão quanto àquilo que tradicionalmente se entende como fronteiras entre subjetividade e referencialidade. O objetivo central desta dissertação é analisar alguns dos aspectos que parecem sustentar a hipótese de uma narrativa lírica e, paralelamente, pensar como tais elementos promovem um deslocamento da referencialidade. A partir dessas reflexões, pretendemos trazer à luz a discussão de outros aspectos presentes no livro, tais como: questões referentes ao endereçamento e ao papel do leitor, dissolução do sujeito narrativo, bem como a problematização dos gêneros literários.
In Água Viva, Clarice Lispector proposes a break with the classic form of narrative. In this work, through a narrator character, the author radicalizes her style, presenting characteristics of dissolution of the subject and, at the same time, makes use of prose and poetry techniques. Therefore, by exploring resources of the poetic text, even if it is prose writing, the author produced a work that we may perhaps understand as lyrical narrative. At the same time, there is a tension about what is traditionally understood as boundaries between subjectivity and referentiality. The main objective of this dissertation is to analyze some of the aspects that seem to support the hypothesis of a lyrical narrative and, at the same time, think about how such elements promote a displacement of referentiality. From these reflections, we intend to bring to light the discussion of other aspects present in the book, such as: questions regarding the addressing and the role of the reader, dissolution of the narrative subject, as well as the problematization of literary genres.
In Água Viva, Clarice Lispector proposes a break with the classic form of narrative. In this work, through a narrator character, the author radicalizes her style, presenting characteristics of dissolution of the subject and, at the same time, makes use of prose and poetry techniques. Therefore, by exploring resources of the poetic text, even if it is prose writing, the author produced a work that we may perhaps understand as lyrical narrative. At the same time, there is a tension about what is traditionally understood as boundaries between subjectivity and referentiality. The main objective of this dissertation is to analyze some of the aspects that seem to support the hypothesis of a lyrical narrative and, at the same time, think about how such elements promote a displacement of referentiality. From these reflections, we intend to bring to light the discussion of other aspects present in the book, such as: questions regarding the addressing and the role of the reader, dissolution of the narrative subject, as well as the problematization of literary genres.