Do ritual ao gesto - Warburg o pensador artesão
Data
2024-11-06
Autores
Daher, Cilmara Wanda 
Tipo
Dissertação de mestrado
Título da Revista
ISSN da Revista
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Resumo
Nessa dissertação de mestrado que se situa no âmbito da Historiografia da Arte, estudamos dois momentos da vida e obra do Historiador da arte hamburguês Aby Warburg (1866-1929). Referimo-nos a viagem aos Pueblo, Novo México nos Estados Unidos, em sua juventude intelectual e a Conferência de 21 de abril de 1923, já em sua maturidade, ministrada na clínica de Bellevue, em Kreuzlingen, Suíça. São dois textos denominados: Recordações de uma viagem à terra dos pueblos e Imagens da região dos índios pueblos na América do Norte. A importância dessas escritas para Warburg em suas pesquisas, como para a História da Arte, ainda está por ser redefinida. Nossa tarefa foi de trazer à tona vários tópicos abordados por nosso autor na realização desses textos, tais como: Antropologia; Renascimento; Simbologia; Mitologia; homem “primitivo” e homem europeu, como também a cultura Hopi e a Cultura do primeiro Renascimento, tema fundamental em seus estudos. Esses textos foram estudados e apresentados de forma subsequente, iniciando com o texto de preparo da palestra, e depois o texto da palestra em si, repercutindo com vários comentadores, na tentativa de esclarecer as problematizações existentes. Das reflexões que surgiram, propomos duas questões na tentativa de colaborar e ampliar o olhar para esse tema tão importante na vida e obra de nosso autor. São elas: Do contato com a cultura Hopi, o que Warburg trouxe para suas pesquisas do Renascimento? Qual significado dessa Conferência para Warburg e também para alguns de seus comentadores?
In this master's thesis, which is situated in the field of Art Historiography, we study two moments in the life and work of the Hamburg art historian Aby Warburg (1866-1929). We are referring to the trip to Pueblo, New Mexico in the United States, in his intellectual youth, and the Conference of 21 April 1923, already in his maturity, given at the Bellevue clinic in Kreuzlingen, Switzerland. These are two texts called: Memories of a Journey to the Land of the Pueblos and Images of the Pueblo Indian Region in North America. The importance of these writings for Warburg in his research, as well as for Art History, has yet to be redefined. Our task was to bring to light various topics that our author addressed in the realization of these texts, such as: Anthropology; Renaissance; Symbology; Mythology; ‘primitive’ man and European man, as well as Hopi culture and the Culture of the first Renaissance, a fundamental theme in his studies. These texts were studied and presented sequentially, starting with the text preparing the lecture, and then the text of the lecture itself, echoing with various commentators in an attempt to clarify the existing problematizations. From the reflections that emerged, we propose two questions in an attempt to collaborate and broaden the view of this very important theme in the life and work of our author. They are: What did Warburg bring from his contact with Hopi culture to his research into the Renaissance? What was the significance of this conference for Warburg and also for some of his commentators?
In this master's thesis, which is situated in the field of Art Historiography, we study two moments in the life and work of the Hamburg art historian Aby Warburg (1866-1929). We are referring to the trip to Pueblo, New Mexico in the United States, in his intellectual youth, and the Conference of 21 April 1923, already in his maturity, given at the Bellevue clinic in Kreuzlingen, Switzerland. These are two texts called: Memories of a Journey to the Land of the Pueblos and Images of the Pueblo Indian Region in North America. The importance of these writings for Warburg in his research, as well as for Art History, has yet to be redefined. Our task was to bring to light various topics that our author addressed in the realization of these texts, such as: Anthropology; Renaissance; Symbology; Mythology; ‘primitive’ man and European man, as well as Hopi culture and the Culture of the first Renaissance, a fundamental theme in his studies. These texts were studied and presented sequentially, starting with the text preparing the lecture, and then the text of the lecture itself, echoing with various commentators in an attempt to clarify the existing problematizations. From the reflections that emerged, we propose two questions in an attempt to collaborate and broaden the view of this very important theme in the life and work of our author. They are: What did Warburg bring from his contact with Hopi culture to his research into the Renaissance? What was the significance of this conference for Warburg and also for some of his commentators?
Descrição
Citação
DAHER, Cilmara Wanda. Do ritual ao gesto - Warburg o pensador artesão. 2024. 133 f. Dissertação (Mestrado em História da Arte) - Universidade Federal de São Paulo, Escola de Filosofia, Letras e Ciências Humanas, 2024