Arrastões sensíveis e políticos entre territórios e artes
Data
2023-12-07
Tipo
Trabalho de conclusão de curso
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ISSN da Revista
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Resumo
Este escrito é uma exploração, um enredado de vidas, operando com o método cartográfico, e propõe a noção de arrastões sensíveis para tratar de problemáticas presentes no âmbito da vulnerabilidade e potência de viventes que são colocados à margem das cidades, da educação, das artes e ao mesmo tempo são atravessados por experimentações ético-estéticas. Através de narrativas foram expressos episódios em roda de música, encontros com marcas e memórias, fragmentos de filmes, documentários, músicas, escuta ativa de sonhos e diálogos, entre outros. Fragmentos narrativos que expressam pretextos para encontros, experiências de imunidades, alegrias, dores, humilhação, novos territórios e questionamentos com certas artes. Situações em que a cultura é a regra, arte é exceção. Um dos efeitos deste percurso foi acompanhar falas e experiências que se conectam historicamente, no sentido de perpetuar automatismos, o que é imposto, a cultura, entre viventes de diferentes gêneros, classes sociais e idades. E ao mesmo tempo a exceção, encontros de criação, memória, opacidade, resistência com as artes em instalações episódicas do comum na periferia.
This writing is an exploration, an entanglement of lives, operating with the cartographic method, and proposes the notion of sensitive trawls to deal with problems present within the scope of the vulnerability and power of living beings who are placed on the margins of cities, education, the arts and at the same time they are crossed by ethicalaesthetic experiments. Through the narratives, episodes were expressed in music circles, encounters with marks and memories, fragments of films, documentaries, songs, active listening to dreams and dialogues, among others. Narrative fragments that express pretexts for meetings, experiences of immunities, joys, pains, humiliations, new territories and 4 questions with certain arts. Situations in which culture is the rule, art is the exception. One of the effects of this journey was to follow speeches and experiences that are historically connected, in the sense of perpetuating automatisms, what is imposed, culture, between living people of different genders, social classes and ages. And at the same time the exception, encounters of creation, memory, opacity, resistance with the arts in episodic installations of the common in the periphery.
This writing is an exploration, an entanglement of lives, operating with the cartographic method, and proposes the notion of sensitive trawls to deal with problems present within the scope of the vulnerability and power of living beings who are placed on the margins of cities, education, the arts and at the same time they are crossed by ethicalaesthetic experiments. Through the narratives, episodes were expressed in music circles, encounters with marks and memories, fragments of films, documentaries, songs, active listening to dreams and dialogues, among others. Narrative fragments that express pretexts for meetings, experiences of immunities, joys, pains, humiliations, new territories and 4 questions with certain arts. Situations in which culture is the rule, art is the exception. One of the effects of this journey was to follow speeches and experiences that are historically connected, in the sense of perpetuating automatisms, what is imposed, culture, between living people of different genders, social classes and ages. And at the same time the exception, encounters of creation, memory, opacity, resistance with the arts in episodic installations of the common in the periphery.
Descrição
Citação
CARILLO, Thalita Prado Barbosa. Arrastões sensíveis e políticos entre territórios e artes. Santos. 2023. 29 f. Trabalho de conclusão de curso (Graduação em Psicologia) - Universidade Federal de São Paulo, Instituto de Saúde e Sociedade, Santos, 2023.