Teatro Experimental do Negro: uma investigação sobre a formação estética do TEN na montagem de uma peça com temática negra na periferia
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Data
2024
Autores
Santos, Paulo Eduardo Correia dos [UNIFESP]
Orientadores
Jardim, Marta Denise da Rosa
Tipo
Dissertação de mestrado
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Resumo
Este projeto de pesquisa aprofunda-se na investigação da estética teatral negra desenvolvida pelo Teatro Experimental do Negro (TEN), analisando a formação de seus atores e a expressividade singular emergida no grupo. Utilizando as obras de estudiosos como Abdias Nascimento, Miriam Garcia Mendes, Leda Maria Martins e Evani Tavares Lima, entre outros, a pesquisa revela os elementos artísticos que moldaram as apresentações do TEN, bem como a recepção do público e as críticas especializadas. Apesar de focar menos na formação dos atores e mais nos objetivos políticos, o TEN conseguiu estabelecer uma significativa estética teatral negra, cujo impacto persiste na cena teatral contemporânea. O trabalho aborda também a carência de investigações detalhadas sobre a dimensão estética da jornada do TEN. Além disso, o projeto inclui a montagem de “Otelo” da Cia do Caminho Velho, refletindo a relevância da obra para o TEN e seu papel na contestação de estereótipos e promoção da representatividade negra no teatro brasileiro. A pesquisa, motivada pela experiência do autor como ator e professor na Cia. do Caminho Velho, busca transcender a abordagem política do TEN, explorando sua pesquisa em torno da criação de uma estética teatral negra e sua relação com métodos contemporâneos. O objetivo é compreender o papel central do negro no teatro, desafiando a predominância do corpo branco e contribuindo para uma reflexão contemporânea sobre a representatividade negra no teatro brasileiro, em alinhamento com os princípios da Lei nº 11.645.
This research project delves into the investigation of black theatrical aesthetics developed by the Teatro Experimental do Negro (TEN), analyzing the formation of its actors and the unique expressiveness that emerged within the group. Drawing upon the works of scholars such as Abdias Nascimento, Miriam Garcia Mendes, Leda Maria Martins, and Evani Tavares Lima, among others, the research reveals the artistic elements that shaped the presentations of the TEN, as well as the reception from the audience and specialized critics. Despite focusing less on actor training and more on political objectives, the TEN managed to establish a significant black theatrical aesthetic, the impact of which persists in the contemporary theatrical scene. The work also addresses the lack of detailed investigations into the aesthetic dimension of the TEN's journey. Furthermore, the project includes the staging of "Othello" by Cia do Caminho Velho, reflecting the relevance of the work to the TEN and its role in challenging stereotypes and promoting black representation in Brazilian theater. Motivated by the author's experience as an actor and teacher in Cia. do Caminho Velho, the research seeks to transcend the political approach of the TEN, exploring its research around the creation of a black theatrical aesthetic and its relationship with contemporary methods. The goal is to understand the central role of black people in theater, challenging the predominance of white bodies and contributing to a contemporary reflection on black representation in Brazilian theater, in alignment with the principles of Law No. 11.645.
This research project delves into the investigation of black theatrical aesthetics developed by the Teatro Experimental do Negro (TEN), analyzing the formation of its actors and the unique expressiveness that emerged within the group. Drawing upon the works of scholars such as Abdias Nascimento, Miriam Garcia Mendes, Leda Maria Martins, and Evani Tavares Lima, among others, the research reveals the artistic elements that shaped the presentations of the TEN, as well as the reception from the audience and specialized critics. Despite focusing less on actor training and more on political objectives, the TEN managed to establish a significant black theatrical aesthetic, the impact of which persists in the contemporary theatrical scene. The work also addresses the lack of detailed investigations into the aesthetic dimension of the TEN's journey. Furthermore, the project includes the staging of "Othello" by Cia do Caminho Velho, reflecting the relevance of the work to the TEN and its role in challenging stereotypes and promoting black representation in Brazilian theater. Motivated by the author's experience as an actor and teacher in Cia. do Caminho Velho, the research seeks to transcend the political approach of the TEN, exploring its research around the creation of a black theatrical aesthetic and its relationship with contemporary methods. The goal is to understand the central role of black people in theater, challenging the predominance of white bodies and contributing to a contemporary reflection on black representation in Brazilian theater, in alignment with the principles of Law No. 11.645.