Navegando por Palavras-chave "Imagem Fotográfica"

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    Acesso aberto (Open Access)
    Geração Blow-up de fotógrafos no Brasil dos anos 60/70
    (Universidade Federal de São Paulo (UNIFESP), 2020-07-30) Silva, Diego Cesar Da [UNIFESP]; Araujo, Virginia Gil [UNIFESP]; Universidade Federal de São Paulo
    This is a study of the Blow-up movie (1966), by Michelangelo Antonioni, that questions the photography objectiveness analyzing the echo of the movie in Brazil from the photography image perspective. Our proposal is to think about photographers who took the movie as a reference to produce images linked to the artistic universe and photojournalism during the Brazilian Civil-Military Dictatorship. Starting from the idea that this artwork contributed to the reflection on the photographic image as statement of the real, we studied images produced by the photographers Armando Prado and Boris Kossoy, in order to observe photographies that moves from critical images in a subtle way to images that denounce the country’s political situation. Afterwards, from the collection of the photographers Armando Prado and Miguel Aun’s testimonies, we verify the repercussion of Blow-up in their trajectories, in an attempt to identify influences on the imaginary of artist-photographers in the construction of a critical and revolutionary visual culture as thought by Walter Benjamin (1994) in his essay the author as producer.
  • Imagem de Miniatura
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    Acesso aberto (Open Access)
    A Imagem Fotográfica Como Poética Crítica Em Um Período De Estado De Exceção: São Paulo, Início Do Século Xxi
    (Universidade Federal de São Paulo (UNIFESP), 2018-03-19) Santos, Renata Cordeiro Dos [UNIFESP]; Araujo, Virginia Gil [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This Study Handles The Photographic Image As A Critical Poetic In A State Of Exception Period. The Approach Refers Specifically To The Surroundings Of The Luz Region, A Territory Located In The Centre Of The City Of São Paulo That Encompasses A Reminiscence Of The Civic-Military Brazilian Dictatorship: The Building Of The Former Deops (Political And Social Order Department) " Which Now Bears Two Different Museums, The Estação Pinacoteca And The Memorial Da Resistência. The Procedures Of This Research Aim To Impart Fernando Piola"S Projeto Praça Vermelha (2005-2014) And Tuca Vieira"S Photographic Series Cracolândia (2012) As Artworks Bound To A Poetic Capable Of Breaking The Silence And Facing The Open Wounds Of The Urban Setting. Observed As Agents Of A Perception And Discussion Of The Contemporary City, The Photographies Arouse Surprise In The Viewer And Display Possibilities Of A More Anthropologic Art Historicism, Concerned With The Alterity. This Work Proposes The Comprehension Of These Photographies As I