Navegando por Palavras-chave "Gênese"

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    Deleuze e a filosofia de Maïmon
    (Universidade Federal de São Paulo (UNIFESP), 2020-11-12) Rodrigues, Matheus Barbosa [UNIFESP]; Fornazari, Sandro Kobol [UNIFESP]; Universidade Federal de São Paulo
    Initially, the hypothesis we followed is that the problem of genesis precedes and conditions Deleuze's gaze on Kant, expressly that formulated by Maïmon. We argue, then, that the alliance between the two is justified for two main reasons. Firstly, it fulfills a strategic function: Deleuze returns to Maïmon´s problems that generated the post-Kantian tradition at the beginning, but to formulate alternative solutions to German idealism through a set of its own allies. Second, we try to demonstrate how Deleuze's option inscribes his reading of Kant in the culture of his time, mainly because of the influence of Gueroult's writings on him. Based on Difference and repetition (1968) and from the genetic requirements, we approach the ambiguities of Kantism, pointing out how the criticism of Kant fulfills a programmatic function, because in the ambiguity attributed to the Kantian theses of Cogito, Time and Idea, at the same time Deleuze establishes the coordinates of the problem that will guide his return to transcendental philosophy. Finally, we introduce Deleuze's break with Kant's philosophy. Based on the triple layer of questions developed in previous moments (the problem of genesis, the French debate around it and the ambiguities of Kantism), it is necessary to highlight the role of Maïmon in the search for a new regime of foundation, especially in that concerns the differential genesis of sensation. With the concept of transcendental empiricism, Deleuze brings the Ideas of Maïmon's infinite understanding back to the realm empiricist of the real experience.
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    A gênese do tema do amor na obra Em busca do tempo perdido (os exemplos de Jean Santeuil e Charles Swann)
    (Universidade Federal de São Paulo (UNIFESP), 2019-03-20) Silva, Wagner Tavares Da [UNIFESP]; Silva, Guilherme Ignacio Da [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This M. A. thesis allies the study of the published text of Jean Santeuil and the novel In Search of Lost Time, by Marcel Proust, to the analysis of the manuscript of this novel. The focus of the analysis – both, published text and sketches – is the study of the theme of love. Such feeling tends to be recollected in successive stages attached to the homonymous character (Jean Santeuil), as well as to the character Charles Swann in the novel In Search of Lost Time. Concerning the experience of love, Swann, narrator’s alter ego, embodies some features that are quite peculiar – jealousy and the relation with art, for instance – that are going to be experienced by the Proustian hero throughout the work. Hence, the research starts from the progressive constitution of this feeling in the manuscript project posthumously entitled Jean Santeuil together with a number of autograph manuscripts, as well as in the first published work by the young writer, whose title is Pleasures and Days, in which Marcel Proust, trying to, subsequently, develop this theme, follow the analysis of the manifestation of Charles Swann’s love in published text. The main aim of this analysis is make it clear that the theme of love discloses constant elaboration and recursion. So much so that some successive stages are going to be seen in different books, in different characters, both In Search of Lost Time and in Jean Santeuil, and, additionally, in the sketches that were written by Proust for the creation of his oeuvre. This analysis is based on the scope of genetic criticism, that is, the investigation upon the amount of documents left by the artist through the creative process from which it is possible to retrace intuitions, ideas and poetic of an artist aiming to broaden the comprehension, in this case, of the theme of love.
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    O movimento arte contra a barbárie : gênese, estratégias e legitimação e princípios de hierarquização das práticas teatrais em São Paulo (1998-2002)
    (Universidade Federal de São Paulo (UNIFESP), 2016-09-26) Romeo, Simone do Prado [UNIFESP]; Pulici, Carolina Martins [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    The main goal of this research is to reconstruct the genesis and the strategies of legitimization of Arte Contra Barbárie Movement, which brought together theatre sectors from the city of São Paulo around the struggle for a theatre that was in the antipodes of a production subject to the market. The opposition between a "bourgeois theatre" and an "avant-garde theatre", already well known in the Sociology of Culture primarily from the theses of Pierre Bourdieu [1] and Christophe Charle, [2] gained momentum in the context under study, through what was called as theatre of group, which sought to produce a heretic offset, in relation to the parameters in force, with respect to the theatre that would be worthy of being admired and financed with State funds. The establishment of new artwork patterns - in this case, the new hierarchy principles of theatrical practices - will be discussed through the analysis of documental sources (-manifest texts, critics, public documents records, archival materials etc) that allow to reconstruct part of the struggle of this movement, since its formation in 1998 until its fundamental achievement, the sponsorship Law to the theatre from the city of São Paulo, in 2002. A turning point on public policies to the aesthetic expressions that are less likely to get spontaneous sponsorship