Artivismo feminista: Performance como campo de Disputas narrativas
Data
2024-09-05
Tipo
Trabalho de conclusão de curso
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Resumo
Neste ensaio iremos abordar o Artivismo Feminista no campo da performance, trazendo um pequeno panorama histórico sobre ativismo, arte, femininos e seus desdobramentos e críticas, demostrando como as artes ontemporâneas tem um processo de narrativas com valor poético, estético e histórico, ampliando o debate sobre o espaço das mulheres nas artes. Debateremos sobre a apropriação do corpo femininos pelas artes, e como a performance feminista se utiliza de diferentes corpos para favorecer a narrativa política. Questionaremos o papel performático da feminilidade através das artistas apresentadas, com o uso do pensamento crítico da autora feminista Simone de Beauvoir e
seus levantamentos da obra O Segundo Sexo (1970) entre outras autoras da segunda onda do feminismo. Também discorreremos sobre a brasileira Priscilla Toscano, suas obras, discursos e quais desdobramentos sobre o impacto delas sobre o público em geral. O trabalho pretende construir um diálogo entre arte e a sexualidade feminina em cena.
In this essay we will address feminist art-activism in the field of performance, bringing a small historical overview of activism, art, women and their developments and criticisms, demonstrating how contemporary arts have a process of narratives with poetic ,aesthetic and historical value, expanding the debate on the space of women in the arts. We will debate the appropriation of the female body by the arts, and how feminist performance uses different bodies to promote a political narrative.We will question the performative role of femininity through the artists presented, using the critical thinking of feminist author Simone de Beauvoir and her surveys of the work The Second Sex (1970) among other authors from the second wave of feminism. We will also disagree about the Brazilian Priscilla Toscano, her works, speeches and the consequences of their impact on the general public. The work aims to build a dialogue between art and female sexuality on stage.
In this essay we will address feminist art-activism in the field of performance, bringing a small historical overview of activism, art, women and their developments and criticisms, demonstrating how contemporary arts have a process of narratives with poetic ,aesthetic and historical value, expanding the debate on the space of women in the arts. We will debate the appropriation of the female body by the arts, and how feminist performance uses different bodies to promote a political narrative.We will question the performative role of femininity through the artists presented, using the critical thinking of feminist author Simone de Beauvoir and her surveys of the work The Second Sex (1970) among other authors from the second wave of feminism. We will also disagree about the Brazilian Priscilla Toscano, her works, speeches and the consequences of their impact on the general public. The work aims to build a dialogue between art and female sexuality on stage.