Navegando por Palavras-chave "padre Jesuíno do Monte Carmelo"

Agora exibindo 1 - 1 de 1
  • Imagem de Miniatura
    Item
    Acesso aberto (Open Access)
    Da igreja ao museu afro Brasil: significados da obra de jesuíno do monte carmelo
    (Universidade Federal de São Paulo (UNIFESP), 2016-09-21) Casellato, Stefanie Fanelli [UNIFESP]; Brandao, Angela Brandao [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    Working at the cities of Santos, Itu and São Paulo between the end of the XVIII century and the beginning of the XIX?s, Jesuíno Francisco de Paula Gusmão (1764-1819), better known as Priest Jesuíno do Monte Carmelo, has produced a great diversity of works of art, from paintings to music compositions. The artistic legacy of this painter was rescued and claimed by Mário de Andrade at the first half of the XX century, through studies that have culminated in a complete biography, containing an inventory of art works. In his analysis, Mário de Andrade adopts a psychological model of interpretation, by crediting the characteristics of Jesuino?s work to a supposed conflictive personality caused by his condition as a black person. Based on that, the studies about this artist have received recent contributions, being possible to observe the continuity of Mario de Andrade?s perspective in the actual history of art and in the discourse of museological institutions as Museu Afro Brasil. This research intend to identify this continuity, by pointing its advances and limits, and proposing new perspectives of analysis that might be able to contribute to the construction of a renewed understanding of Priest Jesuíno?s work.