Navegando por Palavras-chave "Song"

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    O Cancioneiro Caipira De Elpídio Dos Santos: Apresentação, Comentário E Antologia
    (Universidade Federal de São Paulo (UNIFESP), 2018-12-10) Almeida, Alexandre Rezende De [UNIFESP]; Marques Neto, Pedro [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    This Research Deals With The Compositional Universe Of Elpídio Dos Santos (1909-1970), With A Focus On The Caipira Song Genre, An Area In Which This Composer Got Most Recognition During His Musical Trajectory. Over Four Decades Of Activity, He Created About A Thousand Works In A Lot Of Different Genres, Including Among The Main Ones: Caipira, Samba, Choro, Waltz, Baião, Marchinha And Samba-Canção, Although Only About Seventy Songs Have Been Recorded. Elpídio Dos Santos Became Famous Mainly Between The Decades Of 1950 And 1960 When He Composed Diverse Musical Tracks For Mazzaropi"S Movies, Thus Santos Became His Favorite Composer For That Work. Most Of Elpídio's Work Is Still Unexplored, For This Reason, The Composer's Unpublished Caipira Songbook Has Appeared As A Significant Object To Be Researched In This Work. A Search Was Made In His Original Records, Which Was Kindly Authorized By Maria Aparecida Dos Santos, One Of His Daughters, Responsible For Maintaining The Collection. In Elpídio's Collection, Letter
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    Na Arena Da Linguagem: Os Discursos E A Construção Do Ethos Em Canções Do Grupo Titãs
    (Universidade Federal de São Paulo (UNIFESP), 2018-07-26) Neves, Elton Da Conceicao [UNIFESP]; Caretta, Alvaro Antonio [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    The Discourse Is A Category That Allows Us To Have Information About Intrinsic Aspects Regarding The Way The Other Pronounce Himself In The Social Media And The Instruments Used To Produce The Manifestation Of The "Discursive Self" By Creating An Image Of Himself, The Author Projects Himself Over The Others In Order To Incite Them To Participate In An Action, The Dialogue In The Verbal Interaction. In Order To Do So, The Author Uses Linguistic Resources Manipulated By His Conscience, So That The Other, Even Not Realizing, Is Persuaded And, Therefore, Participates In The Verbal Interaction Agreeing Or Disagreeing With The One Who Incited Him. The Song, As An Instrument Of Great Persuasion Power, Can Be Used To Provide Persuasion Into The Other And Therefore Refract The Persona Of The Songwriter, Incite The Reflection Of The Listener And Promote Dialogism, Interdiscourse Between People And The Social Spheres.The Main Objective While Studying The Song Was To Realize How The Discursive Ethos Is Constructed In The