Navegando por Palavras-chave "Lukács"

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    Crítica e forma no jovem Lukács: contornos e limites da subjetividade em teoria do romance
    (Universidade Federal de São Paulo (UNIFESP), 2019-11-14) Mendes, Bruno Moretti Falcao [UNIFESP]; Gatti, Lucianno Ferreira [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    In this research is sought to develop the paths to a philosophical reconstruction of the critic of the world through form in Theory of the Novel. It concerns a conceptual reflection for the literary forms’ analysis, situated over historical-philosophical soil, or in other words, concerns a philosophical theory on the modern novel as a life form; a life-form distinct from the ceased and prosaic life-form of the social structures’ age at capitalism. That is the aesthetic phenomenon’s particularity, the artwork that contains in its form a coherent and closed whole, which allows to comprehend the novel form as critical auto reflection on general human activity’s form at the present’s social experience. So, if the novel form is restrained to the substantial matters of life, our purpose is to rebuild the specificity of the critic of the world through form in Lukács, in the sense that the novel form presents a critical image of the world, a sense of absence’s index; for the aesthetic path can only reflexively reiterate an organic experience, although it can not grant effectiveness to anything. It concerns a form of life provided of aesthetic and ethical sense, however, we intend to show that the relation between ethic and aesthetic at the aesthetics’ particularity was already at Lukács’ critic even before Theory of the Novel, as for instance, in his text produced in 1910, entitled Ästhetische Kultur. Afterwards, our objective is to show how fundamental is the auto reflexive ironic displacement, through the author’s presence on the text, for Lukács’ contribution on bringing the form questions to the objectivity’s level. It becomes necessary, so, a debate to verify the boundaries of convergence and distinction between Lukács and the irony’s romantic statute, but, as an inflection move which tends to point towards Goethe’s Wilhelm Meister's Apprenticeship. The Bildungsroman, as an inflection of the critic’s fertile point, represents a formative synthesis on the relation between the soul and the world at the novel typologies’ frame elaborated by Lukács. Our position is that Goethe’s novel’s appropriation is the substantial register to place the novel as the ‘time spirit’s’ mature expression, obtaining the capability to reveal, through the form, essential life’s contents, the formative experience which tends to enlighten not only the weaknesses and limitations to the soul’s disposition on acting over the objective world, but as much the non essential and decaying character of that social life.
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    O itinerário filosófico do romance em György Lukács
    (Universidade Federal de São Paulo (UNIFESP), 2020-04-03) Martins, Willian Mendes [UNIFESP]; Silva, Arlenice Almeida Da [UNIFESP]; Universidade Federal de São Paulo
    The subject of this work is the form of the novel in some works of the Hungarian thinker György Lukács (1885-1971). We follow the evolution and the developments delineated by the thinker within some works, which according to our interest, are central. Thus, we aim to point to the possibilities established by the author for a concept of romance that is, or pretends to be, universalizing while not losing the uniqueness of each specific romanesque work.
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    A Prosa Do Mundo E A Poesia Do Coração: Aspectos Do Legado Hegeliano Na Teoria Do Romance De Lukács
    (Universidade Federal de São Paulo (UNIFESP), 2017-10-04) Oliveira, Flavio Cunha Dias De [UNIFESP]; Rosa Filho, Silvio [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    The goal of this work is to present the Theory of the Novel from Georg Lukács under the lights of the classical poetry of genders and, in particular, the influence of the Hegelian legacy on the esthetics formation of the Hungarian philosopher, highlighting the main idea of the novel such as proposed by Georg Wilhelm Friedrich Hegel: namely, the collision among the social relations prose (the prose of the world) and the poetry of the heart. Both authors conceive the novel as the epopee from the modern era, though they diverge in the historical-philosophical meaning of this esthetical situation. For this purpose, it is presented the foundations of the traditional aesthetics and its inversion from the dialectical movement in what Hegel put the classical poetry of gender from an Aristotelian basis through. After that, the work moves to the body of the text of the Theory of the Novel, recomposing the arguments from the author under the lights of the esthetical philosophy and the “science of the spirits” from Hegel, since its esthetical convergence until the divergence of social nature among the authors, about the meaning of the novel as a literary experience from modernity, especially the theme of the reconciliation or the no reconciliationof the poetry of the heart with the prose of the world. Finally, the work of the German poet, Johann Wolfgang Von Goethe, Wilhelm Meister’s Apprenticeship (Wilhelm Meisters Lehrjahre), is used as a significant literary representation to express the content and the meaning of the novel, being either about the whole of the gender and the essential division that gives rises to it, or as a particular development, the novel of German formation (Bildungsroman), typical from the end of the XVIII century.
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    Sobre o homem cindido: uma leitura da teoria do romance, de György Lukács
    (Universidade Federal de São Paulo (UNIFESP), 2014-04) Silva, João Gilberto Turbiani da [UNIFESP]; Silva, Arlenice Almeida da [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    O presente estudo tem por temática apresentar uma análise da Teoria do romance, de György Lukács, concentrando-se em um dos conceitos centrais dessa obra que é o de “homem cindido”, por meio do qual o autor realiza o diagnóstico do homem moderno: alienado diante de suas próprias criações e moralmente cindido. Lukács faz essa análise simultaneamente à análise literária do romance, ou seja, o autor realiza crítica literária, investiga as possibilidades estéticas da produção do romance e, ao mesmo tempo, esboça uma ética, uma teoria da história e elementos para um sistema filosófico. O tratamento teórico e crítico da produção romanesca é, na verdade, um meio que permite ao autor abordar questões mais existenciais do ser humano. Ao tratar das formas literárias, sobretudo do romance, Lukács aponta para as formas da vida, verificando de que maneira a “vida autêntica” se afastou da vida moldada pelas estruturas sociais.