Navegando por Palavras-chave "Japanese Immigration"
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- ItemAcesso aberto (Open Access)"De Qual Japão Estamos Falando?" Memória E Identidade A Partir Da Concepção De "Japão" Dos Descendentes De Japoneses No Brasil(Universidade Federal de São Paulo (UNIFESP), 2018-04-26) Nakashima, Cesar Kenzo [UNIFESP]; Osman, Samira Adel [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)After Almost 110 Years Of Japanese Immigration In Brazil And The Process Of Integration Of This Migratory Group Into Brazilian Society, There Is Still A Paradoxical Relationship Between The Two Countries - And This Is Often Reflected In The Daily Lives Of Japanese Descendants, Who End Up Being Associated With Country Even Though He Was Born In Brazil. The Effects Of This Condition Are Revealed In The Nuances Of Its Trajectories, And This Opens The Way To Reflect In Which Way Japan (Or The "Japanese") Manifests Itself In These Experiences, And To What Extent It Approaches Or Distances Itself From The Feeling Of Belonging . Thus, The Present Work Aimed To Show, From The Use Of Oral History, The Ways In Which The Japanese Descendants Deal With This Identity Issue From The Conceptions Of "Japan" Constructed Through Their Experiences Of Life. Bringing This Reflection To The Discussions About The Theme Is Of Great Importance To Understand The Migratory Phenomenon And Its Effects On Brazilian Society - Including The
- ItemSomente MetadadadosNihon no Imin: musealização de um processo histórico (1978-2017)(Universidade Federal de São Paulo (UNIFESP), 2017) Saijo, Bianca Mayumi [UNIFESP]; Paiva, Odair da Cruz [UNIFESP]; http://lattes.cnpq.br/0579359295517355; Universidade Federal de São Paulo (UNIFESP)This paper has as objective to analyze the long-term exhibition of the Historic Museum of Japanese Immigration in Brazil, located in the city of São Paulo, on Liberdade district, in the attempt to comprehend the meanings and the intentionality that composes the current expographic proposal presented on that institution. The musealization of social phenomenons – which from a theoretical point of view can’t be reached – but is something chased by many curatorial proposals, implies to the comprehension of a series of factors that involves elements such as: choices, conservation, documentation and communication of institutes of memory considered important on the rol of elements that composes the cultural heritage of a collectivity. Thus, is fundamental to have in mind that immigration’s musealization is not secluded of these processes.
- ItemAcesso aberto (Open Access)A Ressignificação Nipônica Na Casa Da Cerâmica Nakatani(Universidade Federal de São Paulo (UNIFESP), 2017-09-04) Delagracia, Giovana Denise [UNIFESP]; Ishiki, Michiko Okano [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This research is a study about the Japanese-Brazilian ceramics based on the production of Issei Akinori Nakatani in the Casa da Cerâmica Nakatani, founded by the artist in 1978 in Mogi das Cruzes, state of São Paulo. Given the context of Japanese immigration to Brazil and the differences between two countries, the ceramist’s works stand up in the art circuit due to the coexistence of Japanese and Mesoamerican cultures in this criations. At the same time the Casa’s production is recognized for its care and dedication in maintaining the more traditional values involved in the Japanese ceramics production (such as the firing process done in noborigama wood kiln, obtaining materials from natural resources, among others), its objects have Mesoamerican aesthetic characteristics due to the imagistic references acquired by the artist during his travels through South America. During the research, it had been explored how Japanese values involved in ceramic production were preserved in Brazil and how the adaptation process contributed to their maintenance, as well as its reinterpretation through the assimilation of other cultures. This study will be conducted by the fundamental literature, through interviews with the Casa’s members about the production processes, techniques and aesthetic references, their mode of production analysis and their resulting ceramic objects.