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dc.contributor.authorCherem, Youssef [UNIFESP]
dc.date.accessioned2019-01-21T10:29:45Z
dc.date.available2019-01-21T10:29:45Z
dc.date.issued2016
dc.identifierhttps://doi.org/10.1080/00233609.2016.1170068
dc.identifier.citationKonsthistorisk Tidskrift. Abingdon, v. 85, n. 4, p. 299-326, 2016.
dc.identifier.issn0023-3609
dc.identifier.urihttp://repositorio.unifesp.br/handle/11600/49372
dc.description.abstractThe subject of the representation of the body is a privileged locus to engage critically the concepts we use to make sense of much of the contemporary art in the Middle East. The absence, in the work of some internationally renowned artists, of representations of the body that contest dominant narratives is intriguing. How do we account for the many cases of effacement of the body and absence of an individual voice? I argue that many cases of contemporary art from the Middle East do not critically deal with the body as a locus of individual and collective agencyen
dc.description.abstracthowever, an analysis of works from Iran and the Arab world shows the body as a medium and a locus for contesting gender roles and pushing new boundaries against both official and Western expectations.en
dc.format.extent299-326
dc.language.isoeng
dc.publisherSpringer-Verlag Italia Srl
dc.relation.ispartofKonsthistorisk Tidskrift
dc.rightsAcesso restrito
dc.subjectArten
dc.titleThe absent subversion, the silent transgression: the voice and the silence of the body in some contemporary iranian and arab artistsen
dc.typeArtigo
dc.description.affiliationUniv Fed Sao Paulo, Dept Art Hist, Sao Paulo, Brazil
dc.description.affiliationUnifespUniv Fed Sao Paulo, Dept Art Hist, Sao Paulo, Brazil.
dc.identifier.doi10.1080/00233609.2016.1170068
dc.description.sourceWeb of Science
dc.identifier.wosWOS:000386112500002


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