Now showing items 1-10 of 13

    • A avaliação de programas e serviços de saúde no Brasil enquanto espaço de saberes e práticas 

      Furtado, Juarez Pereira [UNIFESP]; Vieira-da-silva, Ligia Maria (Escola Nacional de Saúde Pública Sergio Arouca, Fundação Oswaldo Cruz, 2014-12-01)
      This social and historical study drew on Bourdieu's genetic sociology to analyze the establishment and development of a specialized space for the production of knowledge and practices in health evaluation in Brazil. The ...

    • Boilesen, Hércules e Vlado: cinema e fragmentos de memória 

      Gonçalves, Gabriela Peters Cremasco [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2013-06-14)
      Esta dissertação apresenta os resultados da pesquisa de mestrado intitulada BOILESEN, HÉRCULES e VLADO: cinema e fragmentos de memória, que utiliza como material privilegiado de pesquisa os filmes Cidadão Boilesen (direção ...

    • Circulação de ideias e justificação de projetos políticos nas Américas: Morse, Schwartzman e os embates políticos-ideológicos entre as décadas de 1980-90 

      Santos, Gleig Almeida [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2014)
      This monograph has as object the intellectual debate around the work of Prospero's Mirror: culture and ideas in the Americas, between the decades of 1980-90, investigating their theoretical contributions to the dialogue ...

    • Da criança que nos olha uma análise da construção da imagem da criança no cinema italiano pós-guerra 

      Botelho, Thais Azevedo da Costa [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2014-11-09)
      Through the analysis of two films, Germania, anno zero (Roberto Rossellini, 1947), Ladri di biciclette (Vittorio De Sica, 1948) and e Bellissima (Lucchino Visconti, 1952), the purpose of this research is to identify how ...

    • Indivíduo e Sociedade no filme O Triunfo da Vontade: uma abordagem sociológica 

      Menezes, Fabiana Luci de [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2011-06-06)
      The following text, monography of the final course, looks at certain sequences of the film Triumph of the Will, by Leni Riefenstahl, shot at the sixth Nazi Party Congress in 1934, and released in 1935, to discuss certain ...

    • Masculinidades em desordem: as relações homossexuais no cinema alemão 

      Cori, Eveline Ivi [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2019-11-28)
      This research problematizes and discusses the way in which the representation of masculinity and its subjectivations in homosexual characters in German cinema is built, using three films as a privileged material of analysis: ...

    • No-do imagens do fascismo na Espanha 

      Beverari, Rafael Fermino [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2015-02-12)
      This essay consists in the critical analysis of how it was built the relationship between Spain and the nations of Axis and Allies was built during the 2nd World War through the analyzis of Noticiarios y Documentales - ...

    • O olhar masculino como formador da representação da mulher: o caso do filme noir 

      Pires, Joice Oliveira [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2013)
      Through film analysis from the movies Gilda (1946), The Killers (1946) and Gun Crazy (or Deadly is the Female - 1950) the intention is to identify and discuss the way woman is constructed in the 1940-50‟s cinema. Such ...

    • Rompendo as amarras: uma análise sociológica do seriado Lost 

      Fugimoto, Jorge Henrique [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2013)
      Lost is a series produced in USA and created by Jeffrey Lieber, J. J. Abrams and Damon Lindelof, displayed by first time in September 22, 2004 by ABC, an american company of television. Quickly inserted in american “pop ...

    • Sociologia demais 

      Moreschi, Marcelo (Programa de Pos-Graduação em Letras Neolatinas, Faculdade de Letras -UFRJ, 2014-12-01)
      This text was originally published as the editorial for the 16th issue of the journal n+1. It calls attention to the way in which a sociological perspective, which reduces works to bearers of symbolic capital, became ...