Now showing items 1-3 of 3

    • Entre espelhos partidos: significações da Femme Fatale em três filmes estrelados por Rita Hayworth na década de 40 

      Delaplace, Alexandra Jovanovitch [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2015-11-27)
      The femme fatale holds a vexed but significant position in the history of film, as well as in wider discourses about femininity. Such figures are difficult to define, occupy a complex position in relation to genre and ...

    • A figura do artista em às avessas e a confissão de Lúcio 

      Campos, Joyce Priscila Dellisa [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2019-03-28)
      The present research aims at analyzing the characters that represent the figure of the artist in the novel À rebours, by Joris-Karl Huysmans and A confissão de Lúcio, by Mário de Sá-Carneiro as well as, identify among these ...

    • O olhar masculino como formador da representação da mulher: o caso do filme noir 

      Pires, Joice Oliveira [UNIFESP] (Universidade Federal de São Paulo (UNIFESP), 2013)
      Through film analysis from the movies Gilda (1946), The Killers (1946) and Gun Crazy (or Deadly is the Female - 1950) the intention is to identify and discuss the way woman is constructed in the 1940-50‟s cinema. Such ...