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As diversas representações de Rogério e Angélica, de Ingres, a partir do estudo da obra Angélica acorrentada do MASP
(Universidade Federal de São Paulo (UNIFESP), 2019-06-13) Rosa, Camila De Mello Carnelos [UNIFESP]; Pereira, Andre Luiz Tavares [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
Jean-Auguste Dominique Ingres has made, throughout his career, several pictorial versions of the same theme. These variations are constantly debated by researchers of the painter's work, as they raise questions about what motivated the artist to produce paintings from compositions already made. One of the main issues discussed in relation to these representations concerns the artistic procedures used by Ingres, such as the use of decals and engravings, techniques that allow the reproduction of images. The subject Roger and Angelica, object of this research, is analyzed from this perspective. This study starts from the work of the São Paulo Museum of Art, Angelica in Chains, considered the last version of this painting cycle. To understand these images, other issues are also debated, such as: Ingres' references to the execution of these works, the anatomical distortions present in the character and the various styles found in these representations.