Navegando por Palavras-chave "Sociology"
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- ItemAcesso aberto (Open Access)A avaliação de programas e serviços de saúde no Brasil enquanto espaço de saberes e práticas(Escola Nacional de Saúde Pública Sergio Arouca, Fundação Oswaldo Cruz, 2014-12-01) Furtado, Juarez Pereira [UNIFESP]; Vieira-da-silva, Ligia Maria; Universidade Federal de São Paulo (UNIFESP); Universidade Federal da Bahia Instituto de Saúde ColetivaThis social and historical study drew on Bourdieu's genetic sociology to analyze the establishment and development of a specialized space for the production of knowledge and practices in health evaluation in Brazil. The study analyzed the trajectories of 28 researchers and policymakers and the historical conditions that allowed establishing this space, using in-depth interviews, document analysis, and a literature review. The resulting material was analyzed according to Bourdieu's concepts of field, habitus, and capital. The results point to the constitution of a sub-space for evaluation within Public Health, resulting from interaction between actors from the administrative and scientific fields, respectively, represented by management institutions in the Brazilian Unified National Health System at its various levels and research groups affiliated with public universities. No common habitus was found between the interviewees and the inherent issues and disputes in this sub-space.
- ItemAcesso aberto (Open Access)Boilesen, Hércules e Vlado: cinema e fragmentos de memória(Universidade Federal de São Paulo (UNIFESP), 2013-06-14) Gonçalves, Gabriela Peters Cremasco [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)Esta dissertação apresenta os resultados da pesquisa de mestrado intitulada BOILESEN, HÉRCULES e VLADO: cinema e fragmentos de memória, que utiliza como material privilegiado de pesquisa os filmes Cidadão Boilesen (direção de Chaim Litewski, 2009); Hércules 56 (direção de Sílvio Da-Rin, 2007); e Vlado: 30 anos depois (direção de João Batista de Andrade, 2006), com o objetivo de investigar como a construção narrativa de cada uma das obras enfoca a elaboração da memória do período da ditadura militar no Brasil. Procuramos trabalhar os vários elementos narrativos e estéticos presentes nas produções – como, por exemplo, enquadramentos, ritmo da narrativa, movimentos de câmera e a articulação entre imagem e sons (inclusive diálogos) – buscando assim destacar os aspectos sociológicos trazidos à tona pelos três filmes. Nesse sentido, o centro das análises gira em torno das proposições que buscam pensar a memória em cada filme, pois, em grande medida, os filmes tratam não apenas de um passado vivido, mas de fragmentos de memória que ganham força quanto mais o passado é revisitado pelo presente.
- ItemSomente MetadadadosCirculação de ideias e justificação de projetos políticos nas Américas: Morse, Schwartzman e os embates políticos-ideológicos entre as décadas de 1980-90(Universidade Federal de São Paulo (UNIFESP), 2014) Santos, Gleig Almeida [UNIFESP]; Gonzalez, Rafael Ruiz [UNIFESP]; http://lattes.cnpq.br/6234108503733559; http://lattes.cnpq.br/4827910535198387; Universidade Federal de São Paulo (UNIFESP)This monograph has as object the intellectual debate around the work of Prospero's Mirror: culture and ideas in the Americas, between the decades of 1980-90, investigating their theoretical contributions to the dialogue between sociology and history in the period. Also sought to map how these discussions were related to the political and social concerns of coeval contexts that authors were involved in them.
- ItemAcesso aberto (Open Access)Da criança que nos olha uma análise da construção da imagem da criança no cinema italiano pós-guerra(Universidade Federal de São Paulo (UNIFESP), 2014-11-09) Botelho, Thais Azevedo da Costa [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)Through the analysis of two films, Germania, anno zero (Roberto Rossellini, 1947), Ladri di biciclette (Vittorio De Sica, 1948) and e Bellissima (Lucchino Visconti, 1952), the purpose of this research is to identify how is the construction of the child image in the film, considering two particular aspects of this type of character. First, their inclusion in a situation of social crisis, which, in the case of the films chosen for this investigation, is the end of the war and the immediate postwar period, what makes the selection count on films produced in Italy since 1945 . The focus of this paper will highlight how the senses are built inside the films, considering not only the images and the camera, but the music, the presence of diegetic sounds and silence, the play between light and shadow, etc., all this can give a determinate meaning, making them something more and different than they are in reality, all this might mean. Thus, we are led to the second aspect of this selection, namely the pronounced importance of the child in the plot of the movie. This presence of the child or children in the films this producers, Italian cinema or in the immediate postwar period is not marked by a single work. Moreover, one of the cares of this research is to try to maintain a distance from the association made by the common sense between childhood naivety, based in an idealized image of a child. From this reflection, one question in particular stands out: the reason for so many representations of the child in this period or, why bother at this stage of the film and to what extent this also implies a concern of the adult world through childhood?
- ItemSomente MetadadadosIndivíduo e Sociedade no filme O Triunfo da Vontade: uma abordagem sociológica(Universidade Federal de São Paulo (UNIFESP), 2011-06-06) Menezes, Fabiana Luci de [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; http://lattes.cnpq.br/0720071392894567; http://lattes.cnpq.br/3720460893965448; Universidade Federal de São Paulo (UNIFESP)The following text, monography of the final course, looks at certain sequences of the film Triumph of the Will, by Leni Riefenstahl, shot at the sixth Nazi Party Congress in 1934, and released in 1935, to discuss certain sociological aspects associated with Nazism, as the accession to power and identification with collective ness. The question posed to the film privileged the relationship between the isolated individual and the individual within the mass, giving prominence to those sequences in which people (whether adults or children, in uniform of the SA or SS) appear supportive, cheering, marching or demonstrating affection toward Hitler. The bibliography enabled discussion of the relationship individual and society, more precisely, the individual in contemporary societies. The aim of the research fund is to provide a first approximation to the theoretical issues raised by the sociology major changes in inter-war period, involving art, technology, politics and subjectivity. This research was funded by FAPESP, Foundation Research Support of São Paulo.
- ItemSomente MetadadadosMasculinidades em desordem: as relações homossexuais no cinema alemão(Universidade Federal de São Paulo (UNIFESP), 2019-11-28) Cori, Eveline Ivi [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This research problematizes and discusses the way in which the representation of masculinity and its subjectivations in homosexual characters in German cinema is built, using three films as a privileged material of analysis: Different from the Others (1919) by Richard Oswald and Magnus Hisrchfeld, Coming Out (1989) by Heiner Carow and Free Fall (2013) by Stephan Lacant. The idea is that, through the analysis of such films, we may put into perspectives issues that allow us to address concepts such as identity, gender and representation, in order to understand notions of masculinity and the forms that it assumes in distinct contexts. From this thematic fragment and the selected films, we intend to approach the discourse incorporated by the cinematographic device as well as issues related to certain debates in contemporary society such as gender and sexuality. The main methodological resource is the analysis of the films.
- ItemAcesso aberto (Open Access)No-do imagens do fascismo na Espanha(Universidade Federal de São Paulo (UNIFESP), 2015-02-12) Beverari, Rafael Fermino [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This essay consists in the critical analysis of how it was built the relationship between Spain and the nations of Axis and Allies was built during the 2nd World War through the analyzis of Noticiarios y Documentales - No-Do - produced during the government of Francisco Franco in Spain . The newsreel had its first exhibition in january 1943 and the last in may 1981, being mandatory in all spanish cinemas until 1975. The necessary technical crew required for its production, as well as its frequency and mandatory characteristic indicate the estimated role it has played in Francoist ideas. The importance in understanding how they were built - by images - the strategies of dissemination of the fascist propaganda in the period of the war permeates a narrative economy guided by the production of a Spanish particular reality. The Party (Falange Española Traditionalista), the Army and the Church are the three elements analyzed in the newsreel, because besides their important influence in the course of conflicts, provided, in the field of the newsreel images, detached narrative effect.
- ItemSomente MetadadadosO olhar masculino como formador da representação da mulher: o caso do filme noir(Universidade Federal de São Paulo (UNIFESP), 2013) Pires, Joice Oliveira [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; http://lattes.cnpq.br/0720071392894567; http://lattes.cnpq.br/0372682453344135; Universidade Federal de São Paulo (UNIFESP)Through film analysis from the movies Gilda (1946), The Killers (1946) and Gun Crazy (or Deadly is the Female - 1950) the intention is to identify and discuss the way woman is constructed in the 1940-50‟s cinema. Such analysis will be articulated with the social context from this period. The hypothesis is that although film noir (genre on which the three movies above can be placed) seems to be libertarian to woman‟s representation, it also brings contradictions that lead to a conservative gaze, because female characters were seen inside a male order that set them more as object that as subject.
- ItemSomente MetadadadosRompendo as amarras: uma análise sociológica do seriado Lost(Universidade Federal de São Paulo (UNIFESP), 2013) Fugimoto, Jorge Henrique [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; http://lattes.cnpq.br/0720071392894568; http://lattes.cnpq.br/2140112931683373; Universidade Federal de São Paulo (UNIFESP)Lost is a series produced in USA and created by Jeffrey Lieber, J. J. Abrams and Damon Lindelof, displayed by first time in September 22, 2004 by ABC, an american company of television. Quickly inserted in american “pop culture”, obtained also a world success, mainly achieved by utilization of Internet. In summary, Lost is about a plane that leaves Sidney bound for Los Angeles and suffers an accident, falling in an island of pacific ocean, its narrative become more complex due to large number of main characters and to relations that the characters stablish between them. Although some characterists could identify Lost as another product from cultural industry, that reinforces patterns and empties the critical potential from spectators, the purpose of this research was to put other questions to the series, relating it to broader changes in contemporary society, issues surrounding specific topics of sociology, but that also have definitions (without scientific basement) coming from the most diverse people, in this case, from writers and directors of Lost. Therefore, were explored notions of “civilization” and “individual”, based on film analysis of 24 episodes that compose the first season.
- ItemAcesso aberto (Open Access)Sociologia demais(Programa de Pos-Graduação em Letras Neolatinas, Faculdade de Letras -UFRJ, 2014-12-01) Moreschi, Marcelo; Universidade Federal de São Paulo (UNIFESP)This text was originally published as the editorial for the 16th issue of the journal n+1. It calls attention to the way in which a sociological perspective, which reduces works to bearers of symbolic capital, became naturalized and replaced what once used to be thought as aesthetic concerns in literary studies.
- ItemSomente MetadadadosSociologia no ensino médio na percepção dos estudantes(Universidade Federal de São Paulo (UNIFESP), 2010) Santos, Raul Ferreira dos [UNIFESP]; Albuquerque, José Lindomar Coelho [UNIFESP]; http://lattes.cnpq.br/0312592126188264; http://lattes.cnpq.br/1146149770804482; Universidade Federal de São Paulo (UNIFESP)This paper addresses the question of sociology in high school, with the primary objective discussion and reflection on students' perceptions regarding the discipline. To this end we chose to follow a path that part of the process of institutionalization of the discipline toward the reflections that seek to produce this work. Thus, the paper intends to initially describe the paths of discipline to his offer mandatorily in high school for all schools nationwide. After this broader approach, we address some issues relating to the offering of sociology at the educational institution where the research was conducted: Escola Estadual Professor Alberto Bacan; to finally describe and discuss the results of research conducted.
- ItemSomente MetadadadosSuper-Heróis E Indivíduos Na Contemporaneidade: Dilemas E Anseios Presentes Nas Personagens De Os Vingadores(Universidade Federal de São Paulo (UNIFESP), 2017-12-19) Martins, Cristiana Domingos [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)Due To The Prominence And Relevance Of The Superhero Characters In The Current Film Scenario And The Comprehension Of Cinema As A Specific And Privileged Object For Analysis Of The Social World, This Thesis Aims To Analyze The Characters Of The Superhero Group Avengers In Films Produced By Marvel, Such As: Iron Man (2008), The Incredible Hulk (2008) And Captain America: The First Avenger (2011). The Main Goal Of This Research Is To Understand How The Dilemmas And Anxieties Related To Life In The Contemporary Society Are Represented In The Construction Of These Characters, Especially The Dilemmas And Anxieties Related To The Individuals And The Individuality. As Pierre Sorlin Elaborates On Its Proposal To Film Studies, The Preferred Methodology In This Research Is The Internal Analysis Of The Films.
- ItemAcesso aberto (Open Access)Os vivos, os mortos e os mortos-vivos : uma análise sociológica do seriado Walking dead(Universidade Federal de São Paulo (UNIFESP), 2015-11-23) Fugimoto, Jorge Henrique [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)The image of the ?zombie? or ?living dead?, widespread through cinema in the way we know it today, had the greatest influence of George A. Romero´s cinematographic productions, since 1968 with the movie Night of the living dead. In 2010, the theme appeared in serial format, by north american television network AMC, titled The Walking Dead, based on the homonym comic book and produced by Frank Darabont and Gale Anne Hurd. The series follows the sheriff Rick Grimes (played by Andrew Lincoln), that after waking from a coma in an empty hospital in Atlanta is forced to fight for his survival, and after meet his family again passes to lead a group of survivors, needing to take several decisions. There is the end of government forms, institutional political organization, the state, etc., and the rest of the living people try to survive, facing the main enemy, that guides this "new" organization, the walkers, a kind of human ?non-human? that carries an unique instinct: devour human flesh. The objective of this study is to internally analyze the first five seasons, investigating how show up constructed some sociological questions that involve the theme ?civilization? and the established relations between survivors in a ?post-apocalyptical? world, like: the task division, the city ambience, the relation of survivors with the memory, the appropriation of new places, social aspects related to meals, the image of the leader, power and domination relations and the conflicts between groups.