Navegando por Palavras-chave "Painting"

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  • Imagem de Miniatura
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    Acesso aberto (Open Access)
    As diversas representações de Rogério e Angélica, de Ingres, a partir do estudo da obra Angélica acorrentada do MASP
    (Universidade Federal de São Paulo (UNIFESP), 2019-06-13) Rosa, Camila De Mello Carnelos [UNIFESP]; Pereira, Andre Luiz Tavares [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    Jean-Auguste Dominique Ingres has made, throughout his career, several pictorial versions of the same theme. These variations are constantly debated by researchers of the painter's work, as they raise questions about what motivated the artist to produce paintings from compositions already made. One of the main issues discussed in relation to these representations concerns the artistic procedures used by Ingres, such as the use of decals and engravings, techniques that allow the reproduction of images. The subject Roger and Angelica, object of this research, is analyzed from this perspective. This study starts from the work of the São Paulo Museum of Art, Angelica in Chains, considered the last version of this painting cycle. To understand these images, other issues are also debated, such as: Ingres' references to the execution of these works, the anatomical distortions present in the character and the various styles found in these representations.
  • Imagem de Miniatura
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    Acesso aberto (Open Access)
    Maternidade, de Eliseu Visconti: estudo da indumentária
    (Universidade Federal de São Paulo (UNIFESP), 2020-02-19) Prado, Renata Cristina Garcia [UNIFESP]; Squeff, Leticia Coelho [UNIFESP]; Universidade Federal de São Paulo
    This research intends to measure the dimensions of life and the plastic arts that not often appear articulated in academic works: painting and clothing, art and fashion, art history and fashion creation practice. The dissertation starts from the work of Eliseu Visconti, Maternity (1906), to make a comparative study, which shows how tensioned clothing can be presented within the graphic representation and also in the practice of fashion production. Firstly, it shows a description and analysis of the picture Maternity, changing its relations with an iconography of motherhood and breastfeeding from the 19th century until the beginning of the 20th century. Next, we discuss the history of women's clothing since the end of the 19th century, showing how the vestibule represented by the artist is articulated and not only to the values of the time, but also to support the characterization of the personages. At last, the final dissertation is dedicated to a practical application: a description of the fashion work that is used, with students from the technical course of the Technical course in Clothing Modeling at ETEC Tiquatira, from the Visconti framework.