Navegando por Palavras-chave "Censura"
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- ItemAcesso aberto (Open Access)Uma análise histórica do filme Crônica de um industrial (Luiz Rosemberg Filho, 1978)(Universidade Federal de São Paulo (UNIFESP), 2020-02-13) Silva, Izabella Cardoso Da [UNIFESP]; Villaca, Mariana Martins [UNIFESP]; Universidade Federal de São PauloThis research intends to analyze historically the film Crônica de um Industrial (1978), by Luiz Rosemberg Filho. The work was the target of rigorous censorship at a time when this control, in the cinematographic environment, was proving to be less incident. The film brings important discussion about the feeling of political defeat of the left and explicitly dialogues with some current debates in Brazil of the period, which mobilized concepts such as underdevelopment, developmentalism and economic dependence. Allegorical, it deals with the crisis of conscience of an industrialist who, middle-aged and living in the fictional country of San Vicente, remembers his trajectory as a leftist militant and lives the bankruptcy of his business. Our analysis intends to understand how the film dialogues with some theses about the defeat of the left. Identified to the so-called “Brazilian marginal cinema” was partially funded by Embrafilme, a state-owned company. Thus, from the survey and investigation of some historical issues present in the work, and its relationship with society and the debates of the time, we also intend to analyze the tensions involved in the context of their production, seeking to understand their relationship with the discussions. political and economic aspects of the moment, the impact of censorship, the reaction of critics, and the discourse it and the filmmaker itself build upon the work. We start from the hypothesis that this film presents discussion density and breadth of themes relevant to the understanding of that historical moment of the beginning of democratic opening in Brazil.
- ItemAcesso aberto (Open Access)Arte, Censura e Soft Power na China Contemporânea(Universidade Federal de São Paulo (UNIFESP), 2019-09-23) Chen, Cristina Choung [UNIFESP]; Ishiki, Michiko Okano [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This paper discusses the relationship between Soft Power and governmental censorship in cultural management practices within mainland China, specifically in the field of visual arts. According to Joseph Nye Jr., creator of the term Soft Power, China emerges in the 21st century as a power to challenge American hegemony in economic and political terms, but the moral values presented by the Government, as well as the representation of Chinese culture in the global imagination, seem to precluding the public’s voluntary co-optation to a positive perception of the country. In this context, censorship is cited as the main obstacle to the creation of Soft Power. The research proposes to analyze the censor format within the artistic sphere, to reflect on the contemporary Chinese reality and to question the way such elements are articulated for the formation of individual expression within the global cultural scenario.
- ItemAcesso aberto (Open Access)“Os Russos Estão Chegando": cinema e censura na Alemanha Oriental(Universidade Federal de São Paulo, 2021-12-06) SANTOS, Monaliza; FERLA, Luis; http://lattes.cnpq.br/3414564900325538; http://lattes.cnpq.br/2823353166124118A pesquisa busca discutir quais foram, como se definiram e se manifestaram os processos de censura cinematográfica na porção Leste da então dividida Alemanha, entre 1961 e 1972. Em geral a população desta região foi considerada pouco ativa politicamente quando comparada ao Ocidente e mesmo aos demais países do Leste europeu. Consequentemente, a República Democrática Alemã recebeu limitado protagonismo historiográfico quando se trata dos anos 60 e 1968 especificamente. O âmbito cultural deste mesmo período e, especificamente, o cinema produzido a partir dos estúdios DEFA, são esferas que nos ajudam a compreender os conflitos entre Estado, produção cultural e censura, contradizendo o discurso oficial de maior abertura e diálogo com a esfera artística. O principal objetivo é revisitar o tema através do contexto cultural e cinematográfico. Para este fim será utilizado enquanto fonte uma das produções cinematográficas censuradas: Die Russen Kommen (Os Russos Estão Chegando), dirigido por Heiner Carow em 1968. E também os filmes Karriere (Carreira), dirigido por Heiner Carow e estreado em 1971, e Ich War Neunzehn (Eu Tinha Dezenove), dirigido por Konrad Wolf e estreado em 1968.