Navegando por Palavras-chave "Antropologia Visual"
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- ItemAcesso aberto (Open Access)Antropologia Em Movimento: Mulheres, Espaço E Deslocamento No Cinema Como Lugar Etnográfico(Universidade Federal de São Paulo (UNIFESP), 2018-06-04) Andrade, Janaina Sant Ana De [UNIFESP]; Barbosa, Andrea Claudia Miguel Marques [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This Research Aims To Reflect On An Anthropological Take Of Space Through Cinema. By Means Of A Sensitization With And From Image, We Seek To Think The Relation Between Space And Displacement On Cinema, Which Appears As A Heterotopic Place. The Analysis Of The Films, Thought In Ethnographic Molds, Is Especially Concerned With This Relation From The Perspective Of Female Characters.
- ItemAcesso aberto (Open Access)Corpas em Operação: análise das fotografias de Juca Martins durante a Operação Rondão(Universidade Federal de São Paulo, 2023-12-16) Godoi, Gabriel Lopes Franco de; Barbosa, Andréa Cláudia Miguel Marques; http://lattes.cnpq.br/1081134523410946; https://lattes.cnpq.br/4531393306569443Em 1980, uma operação policial teve como foco a região central de São Paulo com a justificativa de reduzir a criminalidade, no entanto, acabou por se tornar uma perseguição a corpas marginalizadas, principalmente de prostitutas – mulheres cisgênero e travestis. Nesse período, o fotógrafo Juca Martins documentou em imagens as batidas e prisões, que são o ponto principal dessa pesquisa. Interpelando essas fotografias, nossa atenção recai sobre as formas com que as corporalidades presentes existem e se relacionam entre si, além de pensar a sua relação com outros agentes externos como a cidade, as instituições e as relações de poder. Faremos uma análise desses elementos e de como eles expressam modos de viver. Objetivamos com essa pesquisa, a partir das imagens fotográficas, refletir, num primeiro momento, sobre a relação entre sistemas de repressão e a memória e em seguida expandir para pensar sobre a manutenção desses sistemas na contemporaneidade.
- ItemAcesso aberto (Open Access)Fala guerreira: imagens e narrativas de mulheres periféricas na cidade de São Paulo(Universidade Federal de São Paulo (UNIFESP), 2019-05-24) Silva, Dayane Karoline Fernandes Da [UNIFESP]; Barbosa, Andrea Claudia Miguel Marques [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)Social Sciences, when looking at the peripheries of São Paulo between the 1970s and 1980s, operated with the center-periphery dichotomy more or less explicitly focusing on the issue of socio-spatial segregation and, more recently, modifying the approaches, has been observed more attentively the cultural movement which has been growing since the second half of the 1990s, mainly through the proliferation of artistic collectives in the different peripheral regions of São Paulo. Within this context have emerged collectives formed exclusively by women who seek to bring in their cultural productions debates and demands that they understand as specific to their experiences as women from the periphery. With this in sight, this research will seek to reflect on the visual narratives mobilized in the six editions of the magazine “Fala Guerreira”, elaborated by a homonymous collective composed of women from the periphery of the south zone of the city of São Paulo, focusing on the imagery elements used for the construction and composition of representations of themselves, trying to delineate how the image of the peripheral woman is constructed.
- ItemAcesso aberto (Open Access)Habitar um mundo de imagens: reflexões sobre os sentidos e sobre a imaginação por meio das fotografias de Evgen Bavcar(Universidade Federal de São Paulo (UNIFESP), 2019-05-08) Baroni, Rodrigo Frare [UNIFESP]; Barbosa, Andrea Claudia Miguel Marques [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)This research aims to explore and problematize the political and multisensorial dimensions of the photographic image through the case study of the photographs and texts of blind photographer and philosopher Evgen Bavcar. Based on the considerations made by Bruno Latour (2008) and Jaques Rancière (2017), I propose to think of photography as a machine of affections (that is, as a way of producing and engendering differences in the world that produces both a sensory environment and a sensitive medium based on collective assemblages that involve both human and non-human actors, in a process that produces simultaneously: bodies, desires, affections and policies) able to transit between different regimes of visibility.
- ItemSomente MetadadadosO projeto modernizador da Belle Époque Recifense e suas contradições através da fotografia de Francisco du Bocage realizadas entre 1892-1919(Universidade Federal de São Paulo (UNIFESP), 2019-03-29) Couto, Marcel Cabral [UNIFESP]; Barbosa, Andrea Claudia Miguel Marques [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)Francisco du Bocage was a photographer who worked in Recife between 1892 and 1919 and his photographs bequeathed us a valuable documentary on the gentrification of the city of those early years of the First Republic. Considered a master of records of the urban landscapes of the northeast, Bocage photographed, on demand, the reforms of the port district bringing strong documentary character of the entrance of Recife in the modernity longed for by the Pernambuco elite in the nascent republic. His photographs of the works created a unique visual documentary about the deep transformations in the port in the decades of 10 and 20 of century XX. In addition to the orders for the port and the portraits, Bocage also photographed images that were used in posts from his photo studio. He also recorded the daily life and solemnities of the city seeking angles for the "popular classes" in their work in the streets and their neighborhoods, which shows social and cultural permanence in the city that was transformed. The present dissertation intends to present in the light of Visual Anthropology the creation of a place called Recife through the analysis of some images produced and circulated in the period of the First Republic, with emphasis on the photographs of Francisco du Bocage.