Navegando por Palavras-chave "Fashion"

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    Alexander McQueen: da passarela ao museu. Análise do vestido da performance final do desfile No.13 nas exposições Alexander McQueen: Savage Beauty no Metropolitan Museum of Art e Victoria and Albert Museum
    (Universidade Federal de São Paulo (UNIFESP), 2019-06-14) Im, Tatiana Bo Kun [UNIFESP]; Baumgarten, Jens Michael [UNIFESP]; Universidade Federal de São Paulo (UNIFESP)
    The research proposes to analyze the dress of the final performance of the parade No.13 (spring/summer 1999) of the british fashion designer Alexander McQueen in the exhibitions Alexander McQueen: Savage Beauty at the Metropolitan Museum of Art and Victoria and Albert Museum and from there reflect how the expography can interfere in the aesthetic experience of the visitor before the object. For this, we will presents the dress through the parade and later inserted in the core “Cabinet of Curiosities” of the Savage Beauty exhibition in two moments: first in 2011 at the Metropolitan Museum of Art (Nova York) and second in 2015 at Victoria and Albert Museum (London). The catalogs of both exhibitions will be important sources of analysis, because they are records of the event, as well as texts and studies by theorists, fashion scholars and curators who have deepened their research in fashion and topics that cross such as art, museum, exhibitions, expography and others.
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    Maternidade, de Eliseu Visconti: estudo da indumentária
    (Universidade Federal de São Paulo (UNIFESP), 2020-02-19) Prado, Renata Cristina Garcia [UNIFESP]; Squeff, Leticia Coelho [UNIFESP]; Universidade Federal de São Paulo
    This research intends to measure the dimensions of life and the plastic arts that not often appear articulated in academic works: painting and clothing, art and fashion, art history and fashion creation practice. The dissertation starts from the work of Eliseu Visconti, Maternity (1906), to make a comparative study, which shows how tensioned clothing can be presented within the graphic representation and also in the practice of fashion production. Firstly, it shows a description and analysis of the picture Maternity, changing its relations with an iconography of motherhood and breastfeeding from the 19th century until the beginning of the 20th century. Next, we discuss the history of women's clothing since the end of the 19th century, showing how the vestibule represented by the artist is articulated and not only to the values of the time, but also to support the characterization of the personages. At last, the final dissertation is dedicated to a practical application: a description of the fashion work that is used, with students from the technical course of the Technical course in Clothing Modeling at ETEC Tiquatira, from the Visconti framework.