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    Indivíduo e Sociedade no filme O Triunfo da Vontade: uma abordagem sociológica
    (Universidade Federal de São Paulo (UNIFESP), 2011-06-06) Menezes, Fabiana Luci de [UNIFESP]; Rovai, Mauro Luiz [UNIFESP]; http://lattes.cnpq.br/0720071392894567; http://lattes.cnpq.br/3720460893965448; Universidade Federal de São Paulo (UNIFESP)
    The following text, monography of the final course, looks at certain sequences of the film Triumph of the Will, by Leni Riefenstahl, shot at the sixth Nazi Party Congress in 1934, and released in 1935, to discuss certain sociological aspects associated with Nazism, as the accession to power and identification with collective ness. The question posed to the film privileged the relationship between the isolated individual and the individual within the mass, giving prominence to those sequences in which people (whether adults or children, in uniform of the SA or SS) appear supportive, cheering, marching or demonstrating affection toward Hitler. The bibliography enabled discussion of the relationship individual and society, more precisely, the individual in contemporary societies. The aim of the research fund is to provide a first approximation to the theoretical issues raised by the sociology major changes in inter-war period, involving art, technology, politics and subjectivity. This research was funded by FAPESP, Foundation Research Support of São Paulo.